I draw the webcomic Manly Guys Doing Manly Things and work on cartoons you might see on TV sometimes.

 

coelasquid:

I was a fan of the approach that one live action series took where Usagi looks like a fairly inconspicuous high school girl and undergoes more of a drastic physical transformation when she turns into Sailor Moon.
And Suarez’s Brawler Moon totally transformed how I’ll think of the character for the rest of my life.
Might colour this somedaaay~

Reblaggin’ for the daywalkers ‘cause I like it.

coelasquid:

I was a fan of the approach that one live action series took where Usagi looks like a fairly inconspicuous high school girl and undergoes more of a drastic physical transformation when she turns into Sailor Moon.

And Suarez’s Brawler Moon totally transformed how I’ll think of the character for the rest of my life.

Might colour this somedaaay~

Reblaggin’ for the daywalkers ‘cause I like it.

I was a fan of the approach that one live action series took where Usagi looks like a fairly inconspicuous high school girl and undergoes more of a drastic physical transformation when she turns into Sailor Moon.
And Suarez’s Brawler Moon totally transformed how I’ll think of the character for the rest of my life.
Might colour this somedaaay~

I was a fan of the approach that one live action series took where Usagi looks like a fairly inconspicuous high school girl and undergoes more of a drastic physical transformation when she turns into Sailor Moon.

And Suarez’s Brawler Moon totally transformed how I’ll think of the character for the rest of my life.

Might colour this somedaaay~

People were requesting rebloggable Flash Inking tips

Can I ask you a question about Flash? I was looking through your flash puppets, and I was wondering how you got the lines to look so NICE. Like…just looking at the linework on the hands of the bob puppet. Is there a pen setting you use? Because I can’t seem to get things to look so good.

start with a round brush, size 3 or 4 (or 5, Windows and Mac have different brush sizes) with pressure turned on.

40 smoothing

Jut as a barometer of how smoothing works;

The more smoothing you use, the more flash sort of corrects your hand wobble and tries to fix things out for you. But at really high smoothing it kind of over corrects things and starts to just invent things you didn’t want to draw. really low smoothing adds every little bump you make, but it makes INSANE huge files, because it’s got so much information to remember for every line you draw. It looks cool if you can make it work, though, we used it for that Assassin’s creed trailer because it has almost like a pen-on-paper look when it moves.

Remember that no matter how much you zoom, the pen will always be the same size. This what a size three brush (Mac version) looks like if you draw at various zoom levels, and then go back to look at it at 100%

Because of this it’s important not to zoom in and out a lot, it’s best to pick one size and stay around that like, ink at 400, don’t zoom out more than 200 or in more than 600. When we did Ugly Americans, every scene was labeled with the zoom level everything had to be inked at, and if anything was resized it had to be retraced. It’s tempting to zoom closer and closer to get little, hard to reach details, but like they said “you can’t zoom on paper, don’t do it in Flash”.

Then there’s this Modify > Shape > Smooth option

Basically just lets you smooth lines after the fact. A lot of people kind of give up on it because they don’t know how to use it right. Like they think it’s a magic FIX LINE ART button, then get disappointed that it doesn’t work when they select all the line art at once and say “okay smooth button GO!”.

It works best if you get in close and just select small fragments to smooth.

And you can kind of just polish off any little quirky bits that bug you.

(it can be kind of hard to tell at a glance, but it adds some polish)

I’ll also add to go slow! If you draw too fast, Flash panics and starts ad-libbing your pen strokes and making weirdly geometric lines, Just take it slow if it starts freaking out on curves and stuff.

crispy-ghee asked
Can I ask you a question about Flash? I was looking through your flash puppets, and I was wondering how you got the lines to look so NICE. Like...just looking at the linework on the hands of the bob puppet. Is there a pen setting you use? Because I can't seem to get things to look so good.

start with a round brush, size 3 or 4 (or 5, Windows and Mac have different brush sizes) with pressure turned on.

40 smoothing

Jut as a barometer of how smoothing works;

The more smoothing you use, the more flash sort of corrects your hand wobble and tries to fix things out for you. But at really high smoothing it kind of over corrects things and starts to just invent things you didn’t want to draw. really low smoothing adds every little bump you make, but it makes INSANE huge files, because it’s got so much information to remember for every line you draw. It looks cool if you can make it work, though, we used it for that Assassin’s creed trailer because it has almost like a pen-on-paper look when it moves.

Remember that no matter how much you zoom, the pen will always be the same size. This what a size three brush (Mac version) looks like if you draw at various zoom levels, and then go back to look at it at 100%

Because of this it’s important not to zoom in and out a lot, it’s best to pick one size and stay around that like, ink at 400, don’t zoom out more than 200 or in more than 600. When we did Ugly Americans, every scene was labeled with the zoom level everything had to be inked at, and if anything was resized it had to be retraced. It’s tempting to zoom closer and closer to get little, hard to reach details, but like they said “you can’t zoom on paper, don’t do it in Flash”.

Then there’s this Modify > Shape > Smooth option

Basically just lets you smooth lines after the fact. A lot of people kind of give up on it because they don’t know how to use it right. Like they think it’s a magic FIX LINE ART button, then get disappointed that it doesn’t work when they select all the line art at once and say “okay smooth button GO!”.

It works best if you get in close and just select small fragments to smooth.

And you can kind of just polish off any little quirky bits that bug you.

(it can be kind of hard to tell at a glance, but it adds some polish)

After seeing the number of folks who have suffered OH GOD NO I INKED ON MY SKETCH LAYER moments, I figured it would be worth sharing this easy trick to fix it and clean the scribbles off your nice clean lines.

It seems kind of long because I tried to make it as easy to follow as possible for folks who might not be totally familiar with the Photoshop interface, but really, it’s like three clicks. When I was in school I just made an action that would do this for me automatically so I could just set it on a folder of three hundred drawings and walk off to get a bagel.

Hope it helps!

Tumblr has been an absolute butt about letting me upload this, so you can find the full thing in one piece and about twice the size right here.